let us not go to “the village”, it is a silly place

well, actually all his movies are silly–the plots immediately disposable and not worth holding up to much scrutiny. but shyamalan usually does a very good job of keeping you going till you get to the twist ending. i don’t know if i would watch his first three movies again (not only because they might not be fun once you know the twist) but i enjoyed all of them while i was watching them. he is a master of his genre, making really expensive b-movies, and he always scares me (but i do admit i scare easily). the problem with this one is that it is more dependent on dialogue than the others and shyamalan just doesn’t write dialogue very well. however, the atmospheric stuff, the sound, the music, the lighting–all of this is exceptional.

more on the movie below but proceed only if you don’t plan to see it

Continue reading let us not go to “the village”, it is a silly place

Time of the Wolf

Saw this last night. I came to it as a general fan of the director Michael Haneke, whose “Funny Games” was a brilliant provocation (and scarily funny) and “Code Inconnu” was smart, complexly attentive to social injustices and personal desires,…. (And, no, I haven’t seen “The Piano Teacher,” about which a bunch of us would surely and with great vigor disagree.) Both films are very smart, and I walked away from ’em thinking myself very smart for having seen them and liked them. I felt nothing, beyond that intellectual engagement.

I wept–like a fucking baby–at the end of “Time of the Wolf.” The story is post-some-vague-apocalypse, and society’s broken down. We follow a few survivors–mostly one family (Isabelle Huppert and two children)–as they get by. And that’s about it; not much momentous happens. It’s beautifully shot, the acting is pitch-perfect, and the scenario seems utterly realist (carefully attentive to the small details, unconcerned with the big picture).

And the emotional wallop of the final two scenes caught me so off-guard I did, literally, break down and cry. I haven’t done that since The Butterfly Effect. Ok, I’m kidding about Butterfly. But has anyone else seen Wolf? Was this just some random emotional charge, brought on by too little sleep and underlying anxiety about my kid growing up? Or was the film as effective as it seemed?

cate blanchett–is there anyone better?

among major’ish stars, that is? i was reminded by her amazing double act in coffee and cigarettes of just how good an actress she is. only naomi watts comes close i think. laura linney is also very good but not exactly a star. kidman can turn it on when she wants to but she also does things like cold mountain. whatever happened to judy davis, by the way?

for those who haven’t seen it, i would highly recommend blanchett in the gift, which also features great performances from giovanni ribisi and yes, keanu reeves.

Million $ Baby

It doesn’t seem like that long ago that we were discussing “Unforgiven” and I regret that we didn’t have this blog to debate the merits of “Space Cowboys,” but perhaps we can cover “Mystic River” and this new one in the same set of posts.

I truly want to dislike Clint Eastwood. He’s like Robert Redford’s darker, reactionary twin spending way too much time exploring/confirming theories of masculinity and running out of steam by the time he fills in the women’s roles around the edges of his screenplays. But he’s also a compelling filmmaker and one of the few who thoughtfully explores American myths.

I really liked this film and fell for every one of the manipulative plot twists. But just as I can’t quite forgive him for Marcia Gay Harden’s unredeemable weakness and Laura Linney’s out-of-nowhere Lady Macbeth-ness in “Mystic River”, I think he demonstrated profound laziness in creating some of this film’s supporting characters.

Amy

Rental suggestions

How about suggestions for the huddled masses about what to rent, next time you sign on to your queue (or, for those well behind these Netflixy times, next time you ask your local troupe of theatrickal performers to put on a show)?

My suggestions:
John already mentioned “California Split,” which I second. I think it’s Altman’s best film.

“Mikey and Nicky”–Elaine May’s astonishingly dark sort-of-gangster flick, with Peter Falk and John Cassavetes. (Favreau’s “Made,” which isn’t too bad itself, gets most of its inspiration from this film.) Falk is astonishing.

Continue reading Rental suggestions

coffee and cigarettes

we watched this last night. a mixed bag.

really likey: blanchett; molina/coogan; the old codgers at the end

likey: waits/pop; the lees/buscemi; gza/rza/murray

not likey: wright/benigni–though this must have seemed like a great idea on paper

blah: everything else

amazing though that this was filmed over 17 years–even when it doesn’t work it holds together really well. does anyone know when the individual segments were shot? was the buscemi/lees elvis conversation shot during the filming of “mystery train”? looking forward to jarmusch’s next feature.

some recent netflix rentals

demme’s remake of the manchurian candidate. why was this necessary? too much fussy, techy stuff; old-fashioned hypnotism with a deck of cards much better.

we don’t live here anymore–good performances, especially from mark ruffalo (mike, what do you make of this character/film vis a vis your irresponsibility thesis?), but the film itself seems less and less interesting the further i get from it. overly obvious use of music. naomi watts excellent; laura dern does her woman on the verge thing, and does it well.

king arthur–no black knight, no constitutional peasant, no killer rabbits, no taunting frenchmen, no knights who say “ni”! instead, a very gloomy arthur, i mean arturius, who seems to see no conflict between his belief that all men (and presumably women) are born free and should remain so and his becoming king at the end. and lancelot lances not at all. some pleasure can be taken, however, from the following: stellan skarsgaard’s performance as a dour saxon; ray winstone chewing what little scenery is visible through the mist and smoke; and some danish star named mads mikkelsen (i think he used to play bass for motley crue) as a particularly fey sir tristram. high unintentional comedy in the dvd extras where jerry bruckheimer leads the stars, director and the screenwriter through a very self-important round-table discussion of the film.

Continue reading some recent netflix rentals

other stuff? 24 and more

er…are we allowed to discuss other (ahem) cultural items other than movies on this list or will that endanger its purity? I spit on your rules! since I live in out in the woods now I rarely see any movies except on DVD–and the movies I have seen lately at the cineplexes overrun by teenagers have run to the likes of Blade: Trinity, National Treasure and Aliens vs Predator rather than all this high-toned consequences of irresponsibility stuff I keep hearing about (by the way, the Predators win–apparently because they have cool dredlocks like Bob Marley and secretly dig humans. me, I’d rather have 3 sets of fangs and acid for blood. baby, then somebody would pay! since when did the predators become such sell-outs?). Anyhoo, I have been watching last season’s 24 on DVD, thanks to Netflix….and, er, I don’t know what point I have to make, except it’s cool when the helicopter blows up. oh wait, here it is, I think–it is a weird combination of slick dense overplotting with remarkably blatant “holes” in it–it makes me think of us and the dinosaurs. apparently they died when they became too specialized in evolution–then the slightest change became lethal because they were so adapted to current circumstances. a giant edifice of knowledge with a spot of stupidity, small but of stunning vulnerability. make cultural hay out of that! jesus, I’m tired…..

Tucker: the Man and his Dream

The topic of Scorsese’s “Aviator” has prompted me to add this title to our slowly-growing list of underrated films. My favorite scenes: Tucker’s meeting with Senator Ferguson (played by Lloyd Bridges) and his late-night rendezvous with Howard Hughes (played by Dean Stockwell) in the Spruce Goose hangar. No one plays the naif more charmingly than Jeff Bridges (“Starman,” “Tucker,” “The Big Lebowski”).