A quick recommendation for an HBO film that some may have already seen: the titular character (played by the amazing Jim Broadbent) is a somewhat fuddled real-life Lord who took up lost causes, and gets involved with the case for forgiveness and perhaps parole for the female half of a notorious child-murdering duo. Myra Hindley (the equally amazing Samantha Morton) may be truly seeking redemption, may be manipulating the old man — and the film grabs us with that tension. But what resonates even more extensively is the grip of the moral question behind the ‘truth’ of her redemption: does everyone deserve redemption, regardless of their motives?
The film was written by Peter Morgan, building up quite a resume for tough little historical pics (with The Queen and the current hit play “Frost/Nixon”) and very well-directed by Tom Hooper–unlike some of HBO’s films, this doesn’t play like it’s good for you, with lots of safe two-shots and an “important” message. Instead, its narrative structure seems deceptively chronological but really creates a profound mystery about forgiveness. Longford is, without a doubt, the very cartoon of landed liberal gentry, and hard to take seriously; our opinion of Hindley seems to change from scene to scene, but her former boyfriend/accomplice (played with nasty verve by Andy Serkis) keeps stacking the deck against her.
And while I dug this issue, the acting is what riveted me. Broadbent puts on a scare wig and beaky plastic nose, and he’s like Lord Bozo, but damn if every close-up doesn’t open up tremendous complexities in Longford’s eyes, and his physical carriage bows over the course of the film, burdened by events and age. At first I thought the role a bit fussy, but Broadbent’s mannered set-up becomes more natural, more charismatic as the film proceeds. He’s amazing, and he’s why I’d take pains to seek this one out.
I saw this on HBO a few months ago and liked it very much. Check out Marcus Harvey’s portrait of Hindley utilizing the repetition of a child’s handprint to create the illusion of the murderer’s face (she and her boyfriend murdered and mutilated five children). Creating quite an uproar at Charles Saatchi’s Sensation exhibition at the Royal Academy of Art in 1997, this piece was/is creepy and awesome (kinda like Hank’s).