Top 100 British Films

Time Out London recently posted their top 100 titles generated by an impressive list of industry experts. I had not seen their number one pick – Don’t Look Now – so I thought I’d give it a go via Netflix. Are there any lovers out there, because I didn’t get it. I guess it is a great addition to the neurotic male genre (or maybe the paranoid gothic), but I thought it was a bit silly.

Night Catches Us

Tanya Hamilton’s first flick slowly teases out the backstory, and it has a few moments of “big”(gish) Event of Consequence–but it’s at its strongest and most affecting in allowing its characters (and us) to steep in the aftermath. Set in 1976 Philadelphia, Night follows a few former Black Panthers and a neighborhood somewhat at peace but still scarred from a collision between brutal cops and an outraged violent resistance to such brutality. Marcus (Anthony Mackie) is back for his father’s funeral, but isn’t welcome, and isn’t comfortable; Patti (Kerry Washington) never left town, raises her daughter, reaches out a hand (and legal counsel) to “every orphan” in the neighborhood. You can pick at some of the overdetermined details of the plot arc, but Hamilton’s got a brilliant sense of silence and space — she lets these FANTASTIC actors simmer, calmly sit in a room together, take solace from one another. They’re amazing (and so is Jamie Hector, a.k.a. Marlo Stanfield). She’s edited many sequences to remove dialogue, or to cut things together leaving little blips and jumps that just slightly undermine naturalism; there are a few shots–police walking through an early-morning field, camera set on the ground and capturing them from the knees down, fireflies lifting up from each footfall.

The film also resists some neat Romanticism or Cynical twists, allowing a rich sense of how important the Panthers were in affirming community bonds–the vision of beret-clad violence explicitly critiqued, ‘though Hamilton’s empathy for that turn to struggle is equally strong.

Good movie. And a director to watch.