This is the latest little gem from Gus Van Sant, consistently my favorite American director. It follows a few days in the life of Alex (Gabe Nevins), suburban teenager in Portland and part of what a cop refers to as “the skateboarding community.†There is a murder mystery that forms the spine of this short (84 minute) movie, but it is neither important nor terribly interesting. As always, Van Sant wants to explore the peculiar, affectless, forms of alienation (which in this case are pretty mild) in American teenagers, and to do so while giving us a series of breathtakingly beautiful images. Continue reading Paranoid Park
Month: October 2008
Rachel Getting Married
HTM!!! Imagine Robert Redford’s Ordinary People–hopped up on steroids—colliding into a three-day “One World†music festival (you know: Peter Gabriel, Amadou and Mariam, Beausoleil, Damon Alburn, Jorge Ben, Clube Do Balanço, Manu Chao, Daft Punk, Toots and the Maytals, Bassekou Kouyate & Ngoni Ba, and, yes, TV on the Radio). I’ve grown highly suspect of movies about white people living in seven million dollar Connecticut estates; all this east coast, upper-class, boho bonhomie starts to scratch away at my spleen. No matter how many virtuous, upstanding people of color Jonathan Demme pours into the frame, Rachel Getting Married is still an over-the-top American tragedy about white people in carefully appointed rooms. That being said, Anne Hathaway gives a stunning, transcendent, raw and emotional, career-changing performance. It’s the best acting I’ve seen on the big screen since Daniel Day Lewis drilled for oil. If only Jenny Lumet had toned down the dramaturgical dead ends and shrill histrionics and Demme had exiled the great majority of his buddies and family members to the catering tables (I kept expecting Spalding Gray to return from the dead), the film might have settled in on a potentially lacerating evisceration of family dysfunction . . . but no, this is a world where Robyn Hitchcock sings songs in the backyard during a reception best described as a coalition of rainbows . . . I’ll take Margo at the Wedding, thank you.
Blindness, or: afraid of the dark
In one scene from the latest film by Fernando Meirelles (City of God, The Constant Gardender), the lead character (played wonderfully–did you expect anything else?–by Julianne Moore) descends into darkness in search of the most basic of human needs: food. The darkness is actually the basement storage of a grocery store. The power has been out in the city for weeks, and everyone has been forced to fend for themselves. Why? Because everyone is blind, that’s why. No one knows how it happened, but thousands (if not hundreds of thousands worldwide) have lost their sight and are wandering the streets, directionless and without hope. Except our unnamed heroine. Continue reading Blindness, or: afraid of the dark
The Fall, Tarsem
This is an ambitious, enjoyable, visually impressive movie with a great, natural performance by Catinca Untaru.
The Fall owes a lot to Alejandro Jodorowsky (esp. Holy Mountain), Terry Gilliam’s Baron Munchausen (almost the definition of “ambitious failure”), Cinema Paradiso, and The Princes Bride. Continue reading The Fall, Tarsem