In retrospect, this suspenseful melodrama is preposterous to the extreme. Still, I savored every moment. First, it’s an exquisitely crafted work of cinematic art (though it never strives to be anything other than a romantic thriller). Just watch the first four or five minutes as Ang Lee moves the camera with dexterity and precision to dramatically enliven a game of mahjong (the editing by Tim Squyres and the photography by Rodrigo Prieto are exemplary throughout). Wikipedia tells me mahjong involves skill, strategy, and calculation, as well as a certain degree of chance, which makes the game a perfect metaphor for the film’s central character: a young, idealistic woman (Wei Tang) who goes undercover for a resistance cell to seduce and trap a Chinese official (Tony Leung) collaborating with the Japanese government during Japan’s occupation of China in the late-thirties and early-forties. Continue reading Lust, Caution
Day: February 23, 2008
Elah
Hm. Way better than his Crash yet shackled to some of that film’s flaws, In the Valley of Elah succeeds in large part because of the taciturn, restrained gravity well that is Tommy Lee Jones (complemented by a slew of strong supporting actors). Continue reading Elah