I’m a fan. I’m not sure any of Dante’s movies completely, totally crystallize — they’re almost all burdened with strange mismatches of tone and the constraints of either too small a budget or too much studio interference . . . and yet I think his films are glorious, the kinds of things that managed to tiptoe along the line between the sincerely low-budget exploitational and the smartly self-referentially genre-invigorating. The Howling veers from its first twenty minutes’ feel of tawdry sex-drenched horror, turning a serial killer flick into a werewolf movie, but then it heads into the woods and becomes homage, parody, recreation of classic horror films in a cheesy 1970s world, complete with John Carradine, Slim Pickens, a terrifying transformation scene, and stray jokes about Thomas Wolfe. (John Sayles, who wrote this script and Dante’s prior estimable Jaws rip-off Piranha, plays a morgue attendant.) Continue reading Joe Dante
Day: June 21, 2007
Hank’s!
“Zing Boom Ta-ra-rel. Join in a glass of good cheer.” Welcome to Hank’s Bar at the Hotel Stillwell. Hank first tapped the kegs in 1954. Since then, his bar has become a bed rock haven for downtown’s barfly jambalaya. Henry “Hank” Holzer (R.I.P 1998), born 1908 in Greenwich Village, NYC, opened Hank’s after retiring from a lauded career as a professional prizefighter. Apparently, Hank gathered inspiration for his bar from the classic Noir ficiton of Damon Runyon and Raymond Chandler. He came out West looking for adventure, and, by all accounts, was a stand up guy who took to memorizing his patrons’ names, faces, and favorite drinks. Hank sold the bar in 1970 in order to look after his ailing wife, but returned in 1984 to run the bar until his death in 1998 at the age of 88. He’s said to have credited his longevity to drinking Screwdrivers and not smoking tobacco. Go figure. Hank’s Bar delivers on all fronts: nostalgia, seediness, odd customers, strong drinks, charming bartenders, wall to wall eye candy, live fish, popcorn, and a healthy prescription of low light.