Cars

Saw Cars last and I enjoyed it. I’m a big fan of Pixar, and I’ve been really delighted with animated features coming from Emeryville, CA, the past two decades. Since Pixar merged with Disney last May, I’ve been eager to see what would come of the deal, creatively. Knowing Disney’s tendency to moralize, to idealize the American family, and to smuggle in apologies for consumer culture, I was wondering if Cars would be able to sustain the brilliance of Monsters, Inc. and the edginess of The Incredibles.

The film starts off on a high-kinetic note: the rookie Lightning McQueen, played by Owen Wilson, is on the verge of winning the Piston Cup. Suddenly there’s a crash and massive pile up (this sequence reminded me of the brontosaurus avalanche in King Kong: visually overstimulating and a little irritating). Lightning manages to get through the wreckage and come out in front. Shrugging off his pit crew’s pleas for fresh tires, he builds a commanding lead coming into the final lap. But about a quarter lap to go, he blows a tire. Then another. The favorite and the veteren cars–Chick Hicks and The King, respectively–close in on the struggling rookie. It’s all Lightning can do to stay get a 3-way tie in the photo-finish, forcing a run-off in Los Angeles, California, that will determine the winner. Thankfully, the film slows down considerably from here on out. The emphasis shifts from fast-paced action and exposition to character development and design. There are some amazing shots of Lightning’s trek across the country. Continue reading Cars

Ken Russell – Fall of the Louse of Usher

I’ve wondered for a couple of days whether to write about this film. I’m fascinated by Russell mostly because it’s interesting to see what happens to a director that had a very specific artistic vision that falls way out of favor with the public and film financers.

Since leaving Hollywood, Russell has taken his strong interest in classical music and literature and erotica and managed to keep busy directing British and Candian TV specials and documentaries, including one I’m keen to see on the origins of British folk songs. But for a guy whose highly stylized features were in vogue for a number of years, (1969’s Women in Love to 1991’s Whore), I have to wonder if he’s content not to direct features any more.

So I was excited to find a copy of Russell’s take on all things Poe from a couple of years ago: The Fall of the Louse of Usher, written, directed, shot, and edited by the man, as well as playing one of the main roles. Continue reading Ken Russell – Fall of the Louse of Usher